Thursday, January 31, 2013

Backfire ? An Argument That OA Is Better for Non-Profit Societies ...

English: A Coke pin

English: A Coke pin (Photo credit: Wikipedia)

Recently, Stuart Shieber, Director of the Office for Scholarly Communication at Harvard published the edited text of a talk he gave at the annual meeting of the Linguistic Society of America, in which he praised open access (OA) as a better system for learned societies. This is an important topic, especially now because? Parliamentary hearings are going on in the UK exploring how RCUK mandates may affect learned societies.

Judging from the text, Shieber?s talk argued points his facts directly undercut, argued facts he didn?t understand, and asserted realities that don?t exist, yet he failed to realize any of this.

Shieber is a relentless advocate of OA publishing, and has been a force at Harvard driving their policies in this regard. In his recent post, Shieber argues that not-for-profit publishers are more efficient than commercial publishers because they command a lower price in the market for their goods, don?t engage nearly as much in bundling, and have smaller margins. This interpretation of the facts has four obvious problems:

  • Commercial publishers often publish on behalf of not-for-profit societies.
  • Commanding a higher price in the market is a sign of efficiency and effectiveness.
  • Having larger margins is a sign of efficiency.
  • Bundling is a sign of scale, which can only occur if there is efficiency.

In short, Shieber is looking through the wrong end of the binoculars. Of course, his main argument hinges on a related piece of equally spurious logic:

. . . the reason that scholarly societies benefit from playing in the open-access APC market rather than the closed-access subscription fee market is the difference in the goods being sold. When the good is a journal bundle, the companies with the biggest bundles, the large commercial publishers, win. When the good is publisher services for an individual article, the publishers that can deliver those services for an individual article most efficiently, the non-profit publishers, win. Sure, there are economies of scale, but empirical evidence shows that the scholarly societies are already far better able to efficiently deliver services despite any scale disadvantage.

As we?ll see, Shieber?s ?empirical evidence? is inadequate. He hasn?t parsed the market correctly. And the superior profitability and price advantages of publications going through a commercial publisher ? whether those publications are owned by a non-profit society or the commercial publisher ? make a mockery of this line of reasoning. In fact, OA will probably be done more efficiently by large commercial publishers ? viz, the acquisition of BioMed Central by Springer.

Basic business tenets also work against his argument. Every business has a core set of functions ? IT, legal, HR, finance, facilities, insurance, and so forth. If the organization is small, those functions take up a large proportion of revenues and staff. The organization is comparatively inefficient. Larger organizations can use systems, time zones, currency hedges, and many other techniques to increase efficiency, making the money they spend go farther. They also tend to have lower overheads ? less of their revenues devoted to supporting core functions.

The assertion that commercial publishers are less efficient than non-profit publishers is just wrong. Laughably wrong. Their margins are better, their market penetration is better, and their sales forces are better. That?s why so many non-profit societies sign contracts with commercial publishers. They want the benefits these organizations can and do deliver. And there is a reason these organizations can beat the status quo of running publications in-house ? they are more efficient and effective.

Of course, nothing can dissuade the true believer from the assertion that OA is superior. So, we get a litany of facts and reasoning. Let?s examine Shieber?s facts and reason a little more closely to see how much they have to be elided to fit the argument.

To start, Shieber uses the economic concept of a ?complement? incorrectly, asserting that two journals complement each other in the same way hot dogs and hot dog buns complement each other. That is, when hot dog sales fall, hot dog bun sales fall. That kind of relationship does not exist between journals. It exists between audiences and journals ? if there are no more druids, druidic journals disappear, for example. But Journal A?s usage doesn?t drive Journal?s B usage in any appreciable and direct way. His use of the term smacks of sophistry.

Cherry-picked facts come next. Shieber compares subscription prices between commercial and not-for-profit journals. The data he uses are a decade old, from 2002. Unfortunately, the comparison doesn?t represent reality in any year ? commercial publishers publish not-for-profit society journals. A potentially enlightening comparison would be to compare three different cohorts:

  1. Journals owned by for-profit publishers with no not-for-profit involved
  2. Society-owned journals published by commercial publishers
  3. Society-owned journals published independently

Despite using economic concepts incorrectly, having the wrong framework, and relying on outdated facts, Shieber argues on. His main observation is that price differentials are a clear sign of market failure. He?s right ? in a commodity-based market. His example is Coke vs. Pepsi. These are cola commodities. While it pains me to admit, I will settle for a Pepsi when Coke isn?t available. They are, to some degree, interchangeable. But in a market that has differentiated goods, prices diverge. Think about the difference in price between a Scion and a Lexus ? both made by the same company, both automobiles, but brand and features differentiate their prices significantly. Price divergence is not a sign of a malfunctioning market of differentiated, non-commodity goods. Think First Class vs. coach. Think Godiva vs. Nestl?. Think Nordstrom vs. Wal-Mart. Shieber?s economic analysis is simply wrong.

Sheiber?s thinking doesn?t even make internal sense. He notes that APCs vary greatly, ranging in his expert opinion from $0 to $3,000 (in reality, there are higher APCs on the market already). If OA is selling a commodity (peer-review, copy editing, and publication), how could prices diverge like this? And wasn?t he just claiming that price divergence is by definition a sign of a dysfunctional market? Therefore, is the OA market already broken?

He points to more out-of-date data to assert that most OA journals don?t charge APCs. It?s from a 2009 post of his examining 2007 data. The data set is no longer available via the link Shieber provides, but it?s probably irrelevant anyhow. Things have changed significantly. How much have things changed? Well, 2007 is when PLoS ONE launched. In 2008, BioMed Central was acquired by Springer. The NIH Public Access policy went into effect in 2008. And so forth. These data are from a different era.

Sheiber also brags about how Harvard was the first university to resist the ?Big Deal,? but then goes on to explain how disaggregating the Big Deal landed them back at the same place, but with less to show for it. That is, they ended up paying as much as they?d paid before, but for 30 journals rather than the 130 they?d had through bundling. This hurts two of his points. Apparently, bundling is an efficient way to sell and buy journals, proving that commercial publishers are more efficient in the market. Also, it?s apparent that the best journals in the bundle is what Harvard was paying for, but in the bundle they also received some strong second- and third-tier journals, many of which probably came from non-profit societies using Elsevier as their publisher. This is what bundles do ? they help send revenues across more titles, many of which come from small societies. Bundles help smaller societies. Therefore, bundling is a boon to non-profit societies using commercial publishers.

But, of course, Shieber?s goal is to convince us that OA is better for not-for-profit societies. To find a more current source of information, let?s look at an example that emerged from the Parliamentary hearings on the same day that Shieber?s post was published. In this example, we?re dealing with a UK non-profit society (the Tavistock Institute) that gleans $1,633,565 per year in revenues by publishing 60 articles per year in the journal Human Relations. Their publisher is SAGE, a commercial publisher. If the Tavistock Institute were to go to a complete OA model with attendant CC-BY licenses, the Institute would make $90,000 per year at Shieber?s proposed rate of $1,500 per article. In other words, their journal would lose $1,543,565 in revenues by shifting to OA. How does this help the Tavistock Institute?

This kind of trade-off isn?t uncommon, and it?s why societies are so concerned about unthinking mandates and policy shifts. You can see this example and many more in the public evidence available online for the UK?s Parliamentary proceedings.

Shieber throws accusations with abandon. Does the Big Deal violate anti-trust regulations? He points to a 2004 paper ? one single paper ? that suggested it may. What has happened in the last eight years? Based on my online searches, the answer is, ?Nothing.? There was one speculative paper, and then crickets. Shieber uses the empty rhetorical trick of playing organ music to evoke anxiety.

Finally, Shieber notes that 600 scholarly societies publish OA journals. However, when you begin clicking on links in the list he points to, a 404 error or being sent to a society home page is a very likely result. It seems many of these journals have gone by the boards ? journals that seem to be identified with the designation ?Transfer to publisher? or ?Transfer to society.? Others I looked at are publishing an article every week or two, hardly enough to sustain a robust journal?s infrastructure.

But back to the fundamental question: Is OA better for non-profit societies? Judging from what Shieber is inadvertently telling us, I?d be very concerned if I were running a not-for-profit learned society, especially in the UK. Not only are facts being twisted by OA advocates to suit a narrative, but once those facts are placed in a sensible tableau, the picture that emerges is one full of risk and penury.

Source: http://scholarlykitchen.sspnet.org/2013/01/31/backfire-an-argument-that-oa-is-better-for-non-profit-societies-demonstrates-just-the-opposite/

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Ford Generates Buzz for Electric Vehicles With Consistent Message, Custom Activations

ORLANDO

From social media scavenger hunts to presentations at hotels, state capitols, and museums, Ford Motor Company is hosting 19 events around the country as part of its "Go Further" tour to create excitement and interest in its electric and hybrid vehicles. With nationwide coordination from Ogilvy Public Relations and local execution from regional PR firms, Ford is targeting markets where these types of vehicles are already selling well and creating events that provide information and test-drive opportunities.

"We have chosen to do some experiential things to go into these communities," said Chad D'Arcy, Ford Focus Electric marketing manager, "to engage influencers and media and really target folks who are advocates and can get the news out about what Ford is offering, instead of using traditional print and TV, which is more of a pull then a push."

Each event is based on the same message?that Ford?s lineup of electric, hybrid, and plug-in hybrid vehicles gives consumers the ?Power of Choice??but the settings and activities have been tailored to each market.

In Orlando, Ford held its event Thursday at the Peabody Orlando hotel, a property that has embraced a variety of sustainability initiatives including the recent installation of ChargePoint electric vehicle chargers in its parking garage. Two dozen community leaders and members of the media listened to a presentation by D?Arcy, followed by remarks from the Peabody?s director of engineering and the county?s environmental specialist. Attendees then headed to the hotel?s garage to test-drive the vehicles.

In Richmond, Virginia, the activities took place over four days, beginning April 25 with students from Virginia Commonwealth University driving Ford Focus and Escape electric vehicles around town to complete a scavenger hunt and sharing details on Twitter and Facebook. The hunt ended at the state capitol, where Ford unveiled the Focus Electric pace car that was used for the first time three days later in a Nascar Sprint Cup series race at Richmond International Raceway. During the race, Ford hosted six social media influencers, giving them tours of the garage and pit area, discussions with engineers about the electric pace car, and seating in the pit box.

At the Children?s Museum of Phoenix May 17, Ford hosted a breakfast event in conjunction with the Phoenix Green Chamber of Commerce. The museum recently installed solar-powered parking covers and two charging stations. The following day, Ford kicked off a two-day event in Cape May, New Jersey, with a cocktail party for area business leaders. The next day several of the company?s fuel-efficient vehicles were displayed alongside antique cars at Race at the Cape, a community event that attracted several hundred spectators.

The tour wraps up June 28 in Washington, D.C. The Focus Electric will launch in the New York City metropolitan area, Los Angeles, San Diego, and San Francisco this summer. The car will be available in the remaining 15 tour markets later in the year.

Source: http://www.bizbash.com/ford_generates_buzz_for_electric_vehicles_with_consistent_message_custom_activations/new-york/story/23442

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SPOILERS INSIDE! Something That Took Me Forever To Figure Out About Life Of Pi. : Books

reddit.com:

When I was reading "Life of Pi" I could not remember why Richard Parker's name was so familiar, it drove me nuts throughout the entire book. It wasn't until about a week later that I realized where I knew him from, and it was only because I studied Poe thoroughly in college.

Read the whole story: reddit.com

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Source: http://www.huffingtonpost.com/2013/01/30/spoilers-inside-something_n_2580561.html

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Refurb Sony Xperia Play 3G VZW Android Phone for $80 + free shipping

bidallies via eBay offers the refurbished Sony Ericsson Xperia Play 3G Android Smartphone for Verizon Wireless (no contract) for $79.95 with free shipping. That's $8 under our August mention and the best price we've seen for this phone without a 2-year contract required. This "PlayStation-certified" CDMA phone features a 4" 854x480 touchscreen, 1GHz Scorpion processor, 3G connectivity, 5-megapixel camera with 720p video capture, 8GB internal memory, microSD card slot, Bluetooth, side-slider with dedicated gaming controls, accelerometer, digital compass, MP3 player, Android 2.3 (Gingerbread) OS, up to 8.5 hours of talk time, and more. It comes with a carrying case and USB cable. Deal ends February 14 at 9:47 am ET.

No warranty information is provided.

Source: http://dealnews.com/Refurb-Sony-Xperia-Play-3-G-VZW-Android-Phone-for-80-free-shipping/663830.html?iref=rss-dealnews-recent-deals

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Wednesday, January 30, 2013

Stores Can Now Charge You Extra Just for Using a Credit Card

So here's something you should probably know. Starting this past Sunday, January 27th, retailers can now charge up to four percent extra on purchases made using a credit card. More »


Source: http://feeds.gawker.com/~r/gizmodo/full/~3/RE7LgGFM_e8/stores-can-now-charge-you-extra-for-using-a-credit-card

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Egyptian protesters violently defy curfew, rules

CAIRO/ISMAILIA, Egypt (Reuters) - Egyptian protesters defied a nighttime curfew in restive towns along the Suez Canal, attacking police stations and ignoring emergency rule imposed by Islamist President Mohamed Mursi to end days of clashes that have killed at least 52 people.

At least two men died in overnight fighting in the canal city of Port Said in the latest outbreak of violence unleashed last week on the eve of the anniversary of the 2011 revolt that brought down autocrat Hosni Mubarak.

Political opponents spurned a call by Mursi for talks on Monday to try to end the violence.

Instead, huge crowds of protesters took to the streets in Cairo, Alexandria and in the three Suez Canal cities - Port Said, Ismailia and Suez - where Mursi imposed emergency rule and a curfew on Sunday.

"Down, down with Mohamed Mursi! Down, down with the state of emergency!" crowds shouted in Ismailia. In Cairo, flames lit up the night sky as protesters set police vehicles ablaze.

In Port Said, men attacked police stations after dark. A security source said some police and troops were injured. A medical source said two men were killed and 12 injured in the clashes, including 10 with gunshot wounds.

"The people want to bring down the regime," crowds chanted in Alexandria. "Leave means go, and don't say no!"

The demonstrators accuse Mubarak's successor Mursi of betraying the two-year-old revolution. Mursi and his supporters accuse the protesters of seeking to overthrow Egypt's first ever democratically elected leader through undemocratic means.

Since Mubarak was toppled, Islamists have won two referendums, two parliamentary elections and a presidential vote. But that legitimacy has been challenged by an opposition that accuses Mursi of imposing a new form of authoritarianism, and punctuated by repeated waves of unrest that have prevented a return to stability in the most populous Arab state.

WEST UNNERVED

The army has already been deployed in Port Said and Suez and the government agreed a measure to let soldiers arrest civilians as part of the state of emergency.

The instability unnerves Western capitals, where officials worry about the direction of powerful regional player that has a peace deal with Israel. The United States condemned the bloodshed and called on Egyptian leaders to make clear violence is not acceptable. ID:nW1E8MD01C].

In Cairo on Monday, police fired volleys of teargas at stone-throwing protesters near Tahrir Square, cauldron of the anti-Mubarak uprising. Demonstrators stormed into the downtown Semiramis Intercontinental hotel and burned two police vehicles.

A 46-year-old bystander was killed by a gunshot early on Monday, a security source said. It was not clear who fired.

"We want to bring down the regime and end the state that is run by the Muslim Brotherhood," said Ibrahim Eissa, a 26-year-old cook, protecting his face from teargas wafting towards him.

The political unrest in the Suez Canal cities has been exacerbated by street violence linked to death penalties imposed on soccer supporters convicted of involvement in stadium rioting in Port Said a year ago.

Mursi's invitation to opponents to hold a national dialogue with Islamists on Monday was spurned by the main opposition National Salvation Front coalition, which rejected the offer as "cosmetic and not substantive".

The only liberal politician who attended, Ayman Nour, told Egypt's al-Hayat channel after the meeting ended late on Monday that attendees agreed to meet again in a week.

He said Mursi had promised to look at changes to the constitution requested by the opposition but did not consider the opposition's request for a government of national unity.

The president announced the emergency measures on television on Sunday: "The protection of the nation is the responsibility of everyone. We will confront any threat to its security with force and firmness within the remit of the law," Mursi said.

His demeanor in the address infuriated his opponents, not least when he wagged a finger at the camera.

Some activists said Mursi's measures to try to impose control on the turbulent streets could backfire.

"Martial law, state of emergency and army arrests of civilians are not a solution to the crisis," said Ahmed Maher of the April 6 movement that helped galvanize the 2011 uprising. "All this will do is further provoke the youth. The solution has to be a political one that addresses the roots of the problem."

(Additional reporting by Edmund Blair and Yasmine Saleh in Cairo and Abdelrahman Youssef in Alexandria; Writing by Edmund Blair, Yasmine Saleh and Peter Graff)

Source: http://news.yahoo.com/egypts-leader-declares-emergency-clashes-kill-dozens-031734034.html

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Google Maps shows North Korean prisons, streets

SEOUL, South Korea (AP) -- Google Inc. has helped fill the gap in one of the last remaining information black holes in the world by releasing a detailed map of North Korea that adds street names, monuments - and its notorious prison camps.

Information on streets, parks, monuments and train stops in the capital of Pyongyang showed up on Google Maps' formerly blank map of North Korea this week. Until Tuesday, the isolated communist regime was the last place on Google Maps where no data was available beyond the capital city's name.

The revision came just a few weeks after Eric Schmidt, Google's executive chairman, visited the country as part of nine-person delegation to North Korea. During the four-day personal trip that was opposed by the U.S. government, Schmidt visited computer labs at North Korea's top university and chatted with students there.

Google said there is "absolutely no connection in the timing" of the map's launch and Schmidt's North Korea visit.

Google said a community of "citizen cartographers" started building the North Korea map in 2009 based on satellite images, public information and local knowledge through a tool called Map Maker that allows collaboration on maps through crowd-sourcing. An average North Korean would not likely be able to contribute, however, since only a select few have pre-approved Internet access.

The U.S. company decided that it had enough information to make the map available to public this week.

Jayanth Mysore, Google's senior product manager, said on Google's official blog that the North Korea map is "not perfect" and asked for more contributions.

Through Google Map Maker, a service launched in 2008, users can add data to maps of places lacking accurate and detailed maps, like Pakistan and Afghanistan. Local residents can update maps of their communities with details like new bike paths that governments or other authorities can't easily track.

The map of the North Korean capital offers more details than other parts of the country, including the names of streets and the location of the square named after the country's late founder, Kim Il Sung.

Google Maps also links to photographs taken in North Korea. Many of these photos show streets and buildings of Pyongyang taken by visitors while some photos are from North-Korea focused websites, such as NKeconWatch.com.

The rest of the country remains mostly blank but some airports, highways, universities and major streets are marked.

The map also marks at least four places where North Korea's government is suspected of operating prison camps.

An Myung-chul, who heads a nonprofit organization called Free the NK Gulag in Seoul that gathers information from former North Korean prisoners, said Google Maps' information on North's prison camps are "mostly accurate" although a concentration camp near Kaechon should be farther south.

The group said it believes there were five prison camps in North Korea before one was shut down in mid-2012 based on its analysis of satellite images and testimonies from former prisoners.

Source: http://hosted.ap.org/dynamic/stories/A/AS_TEC_GOOGLE_NKOREA_MAP?SITE=ILBLO&SECTION=HOME&TEMPLATE=DEFAULT

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Thursday, January 24, 2013

Freaking (and then Speaking) in Public | ASU News | The State ...

Photo by Noemi Gonzalez

For SPM writer Kharli Mandeville, public speaking haunts her despite her ability to animate personal conversations.
Photo by Noemi Gonzalez

My stomach twisted in knots.

It churned almost painfully with the coming anticipation. My face grew hot; it was probably beet red. The blood in my body boiled and vibrated throughout every limb. Tears formed beneath my eyelids, threatening to burst and stream down my cheeks.

I was eight weeks into my second semester at ASU, and I had just raised my hand for the first time in a large lecture class.

My voice cracked and shook. My film professor asked me to repeat my statement ?something about how the cinematography of a particular scene in a film really moved me ? nothing of significance by any means.

I?ve always been described as a social butterfly, and in truth, I am. In personal conversations I am animated and often excitable. And just as any other 20-something-year-old college student, I do enjoy social gatherings.

But force me into a situation where more than maybe a dozen pairs of eyes suddenly snap in my direction ? situations where the calming flow of whiskey is generally and unfortunately sorely lacking ? then I?d love nothing more than to shrivel away.

I?m not exactly sure when the fear of speaking in public began to haunt me ? probably somewhere around the time I refused to audition for plays in high school (I loved theater as a kid) and around the time I fell in love with persuasive writing yet refused to join speech and debate.

Writers sometime are recluses, and when the time for reciting abounds, the pressure then builds. Photo by Noemi Gonzalez

Writers sometime are recluses, and when the time for reciting abounds, the pressure then builds.
Photo by Noemi Gonzalez

At the university level, in-class presentations are a form of personal torture. Teachers, ?FINE ? I?ll write that 12-page political analysis whatever thing, but please dear God don?t make me present it to a class of thirty!

It?s common knowledge that to do the job and to do the job well, a journalist must be able to talk to people. But normally, when writing a story, I only need to converse one-on-one with the people involved in bringing that story to life. Piece of cake.

Basically, a journalist spends a lot of their time writing. But depending how much they write, it can make one reclusive. Some people may really only know them through print, or worse ? super wordy Facebook updates. The problem is, as a writer, they may begin to personify themselves as more eloquent and quick-witted than their real-life persona. People read what they write, then meet them in person, and realize the writer is actually kind of awkward when they stammer hellos and trip over themselves during handshakes. (Uhh, I mean, I?m totally just giving a hypothetical scenario here. I never tripped during a handshake.)

I realize this about other writers and I realize it about myself. But from around the time I choked on my first spoken words in an ASU class, I knew the weird, painfully awkward public speaking thing was something I?d need to get over, and fast.

Last year, I wrote a story on Lawn Gnome Publishing, a used bookstore in downtown Phoenix. I made quick friends with the owner, Aaron Johnson, who has since grown to be one of my favorite local poets. I began working in the store in the beginning of last summer.

In the evenings we host a series of events. Monday nights were, and still are, open mic nights. Thursdays are slam nights. I started hanging around other writers ? particularly spoken word poets. I spent the majority of my warm summer nights, swimsuit tops subbing for bras, kicking it on the porch smoking cigarettes and sneaking beers from the local watering hole. I watched in awe as other writers stepped up to the microphone, light blinding their eyes, shadows outlining their faces, and actually presented their writing to dozens of people.

Photo by Noemi Gonzalez

Slam poetry is about the performance and passion, an outlet that gave way for Mandeville to put aside her fear for public speaking and present her words.
Photo by Noemi Gonzalez

Sometimes they were nervous, yeah. But most of the time they reeked of confidence and just plain swag. I was jealous.

Everyone wants a little swag, you know?

The first time I showed up on a Thursday I was hooked. I?d never heard slam poetry before. I?ve always loved the tradition of old-school rap and hip-hop. To me, this was just like that. (Think Tupac?s poetic flow without the pressure of trying to be hood.)

I?d sit cross-legged, leaning against the beam of the porch. I?d leave at the end of a particularly inspiring night, ride my bike in the mid-summer night heat, rushing home to scribble poetry in a tattered notebook on pages I?d later crumple and throw away.

I kept this routine up for months. For months I told everyone I was falling in love with poetry ? that I was going to perform poetry too ?one of these days.

By the end of the summer, I finally grew enough balls to show up on an open mic night with something to say.

I mean, I was and definitely still am new to poetry, so it wasn?t like, some epic, philosophical call for social justice in Darfur or something.

So I signed up.

What looked like normal ink scribbled with a regular, every-day pen, actually turned out to be my own blood. With my chicken scratch of a signature, I had just sealed my fate. I sold my soul to what would soon become an addiction.

I sat in the audience, hands shaking uncontrollably as I lit a cigarette to relieve the anxiety.

Then I heard my name.

I stood up and dozens of people looked at me. God, why do they always have to freaking look at you?

I shuffled up to the stage, staring at my feet and feeling the finality of my terrible decision with every step I took. Normally when you walk, you don?t pay attention to the fact that you?re actually walking, right? But no, this time, I knew that every step was one step closer to my doom. Everyone was going to laugh. I knew it.

I finally made my way to the mic and steadied my hand around its cool frame (which juxtaposed awkwardly with the heat of the night). I glanced up for a millisecond and a beam of light blasted me in the face. I squinted, looked to my left, and great. Someone was recording. Awesome. I could later view and relive one of the most humiliating nights of my life on YouTube with the rest of the world.

Performaning poetry puts a spotlight on the speaker making him or her feel vulnerable or powerful.?Photos by Noemi Gonzalez, Video by Luu Nguyen?Stop Motion from The State Press on Vimeo.

Well, I decided, I?m already here. I can?t escape now. I spoke and told everyone it was my first night. In fact, it was my first time speaking into a microphone. And as I said these first words, I heard my own voice echo throughout the crowd and into the ears of perfect, faceless strangers.

That was the worst part, hearing my voice that loud for the first time in my life. I discovered I have a slight lisp.

I didn?t bother trying to memorize, the way my favorite poets always did. So I pulled crumpled pieces of paper out of my pocket and began to read.

My hands were visibly shaking. I remember that for sure. Everyone could probably hear those papers fluttering in my small, unassuming hands that suddenly became the focal point of my very existence. I?ll never watch that video footage because I?m sure I?d never do poetry again.

I persevered. My hands continued to shake, but people kept listening. My confidence mounted and my breathing steadied.

It?s all sort of a blur now. The experience seemed like hours of mental punishment, like earwigs digging in my ears to torture me into admitting to a war crime or something. But looking back now, it was probably more like a minute and a half of me reading a silly, albeit halfway decent, poem in front of 20 people.

I finished and everyone clapped. I got a few high-fives as I made my way back to my seat.

Admittedly, that poem sucked. It was silly, and it wasn?t honest. But that?s totally OK. A part of growing as a writer, or as an anything, really, is recognizing the life experience and maturation progress that illustrates how far we?ve come, and what we are able to survive.

And even though that experience was terrifying, I kept doing it. Every week. I still do. And it?s still terrifying. Though I wouldn?t say I made my way past the fear completely ? I did make an effort to change a part of myself I didn?t want to live with, and I keep trying.

That night, I left the stage an entirely different person than the one who choked on her first words in a film class.

And I don?t think I?ll ever be the same.

?

Contact the writer at kharli.mandeville@asu.edu or via Twitter @kaharli

Source: http://www.statepress.com/2013/01/23/freaking-and-then-speaking-in-public-or-fear-and-speaking-in-downtown-phoenix/

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Zany Zeus: Soy Icecream, Cheese Soon On The Menu | Stuff.co.nz

Lower Hutt Greek dairy products manufacturer and retailer Zany Zeus is turning to soy to capture the lactose-intolerant market.

The maker of haloumi cheese, smoked yoghurt, icecream and organic milk is perfecting recipes for yoghurt, milk and icecream based on soy.

"I'm using a real extracted soy, a very natural soy milk which is just the soy beans and filtered water. That's my base, then I'm just using a little bit of soy protein, soybean oil," said Michael Matsis, who founded Zany Zeus with sister Meropi in 2000.

"We want to put a bit of research and development into making better tasting soy yoghurt, a really nice tasting soy milk and really good soy icecream."

Zany Zeus has been selling a soy icecream at its Moera store in Lower Hutt since it opened the retail outlet in March. Matsis said it was one of his "little pet projects". He expected to have the new products on sale by June.

Traditional Cypriot haloumi is Zany Zeus's signature product, sold directly to select retailers around the country through its network of about eight distributors and directly to restaurants from Waiheke Island to Dunedin.

Opening the retail store significantly lifted sales and production, with five extra staff brought in. Every week, sales of its organic milk, Zorganic, made with an HTST pasteurisation system reach about 200 litres. It sells about 120 kilograms a week of Greek yoghurt and 350 litres of dairy icecream with flavours such as almond brittle and feijoa.

"We have been doing a lot of work at the moment on a Greek yoghurt icecream, trying to keep the product as natural as we can. Obviously it has been a lot of trial and error, it is not easy and not a case of just slapping things in.

"You need to be able to balance sugar, fats, the right amount of water."

Matsis said Zany Zeus was still finding its feet with the retail site but it had good growth, controlling volumes of production so it did not put too much pressure on the whole system.

Consumer awareness of paneer, a cheese popular in Indian dishes, was growing with in-store tasting sessions.

"We had a friend of ours, an Indian lady, making paneer dishes on Saturday and people just rock on in and get to try an application of the product, take a recipe home. I think the palate in New Zealand is improving," Matsis said.

"We are working very closely with a chef helping to streamline a whole set of recipes around the products to educate people and get more in-house tastings, really create it as a functional educational spot where people can pop in and learn about milk and dairy."

- ? Fairfax NZ News

Source: http://www.stuff.co.nz/business/small-business/8215644/Soy-icecream-and-cheese-soon-on-the-menu

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Wednesday, January 23, 2013

Key parties in incoming Israeli parliament

Israel's parliamentary election left the two main blocs deadlocked with 60 seats each, based on nearly complete official vote counts. There could still be some minor changes:

HARD-LINE AND RELIGIOUS BLOC

?Likud-Yisrael Beitenu (31 seats): Prime Minister Benjamin Netanyahu's Likud teamed up with the far-right, secular Yisrael Beitenu for the election. Likud is a veteran hawkish party known for opposition to compromise with the Palestinians, though during its long years in power it has moderated its policies. Yisrael Beitenu represents immigrants from the former Soviet Union and takes a hard line on the Palestinian issue. The two parties have not formally merged.

?Jewish Home (11 seats): Representing modern Orthodox Jews, the party surged on the back of a strong pro-settlement message and the appeal of its leader, high-tech millionaire Naftali Bennett, to both Orthodox and secular Israelis.

Shas (11 seats): Represents Orthodox Jews of Middle East origin. Its followers tend to be hawkish, working class, and the party traditionally has been a Likud ally.

?United Torah Judaism (7 seats): The party represents ultra-Orthodox Jews of European ancestry. It has served in both dovish and hawkish governments, focused primarily on obtaining government funds for its religious institutions.

CENTRIST AND DOVISH BLOC

?Yesh Atid (19 seats): Founded by former TV personality Yair Lapid, the new party represents secular, middle-class interests and says less money should be spent on West Bank settlements and stipends for the ultra-Orthodox. Yesh Atid becomes the second-largest party in parliament.

?Labor (15 seats): Led now by former broadcast journalist Shelly Yachimovich, Labor governed the country from its founding in 1948 until 1977 and twice since. This time Labor emphasized domestic issues over its traditional moderate approach toward the Palestinians.

?Israeli Arab parties (12 seats): Three parties represent the interests of Israel's minority Arab citizens. Identifying with the Palestinian cause, they vote consistently against hawkish governments and often support dovish coalitions from the outside.

?Hatnua (6 seats): Former Foreign Minister Tzipi Livni formed the party less than two months ago to present an alternative to voters distressed by the stalemate in peacemaking during Netanyahu's four-year tenure.

?Meretz (6 seats): Traditional dovish, secular party.

?Kadima (2 seats): Largest party in outgoing parliament, broke apart and appears to have barely made the minimum for seats in the new parliament.

Source: http://news.yahoo.com/key-parties-incoming-israeli-parliament-145450265.html

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Community Raises Money for Local Battling Breast Cancer ...

Nesha Cameron, 38, is a single mom, with Stage III breast cancer, is unemployed, and living in Oceanside. Late last year, Causes for Community Carlsbad (C3)?held a fundraiser to help Cameron receive naturopathic medicine treatments in conjunction with her chemo, making the chemo more effective and more tolerable. A member of the philanthropic group C3, Deb Ferraro, founder of?Carlsbad Village Yoga and Fitness, was instrumental in getting?$1,900 raised for Cameron.

Cameron tells Patch what it's like to be living with a cancer doctor's told her she'd die from, and what getting the donation means to her and her family.

Patch: Tell us about your battle with cancer.

In October 2011 I was diagnosed with stage 3 breast cancer and I have been fighting for my life ever since, defying doctors? opinions that I should be dead already. I am 38-years-old and a single mother of a beautiful 12-year-old girl. She is my reason for living and I need your help to continue my fight for life. I want to see her grow into a woman and teach her all the things I've learned.

I am currently having chemotherapy treatment at UCSD Cancer Center in Vista and am also seeking treatment at the Vitalia Natural Medicine Center in Carlsbad. The Vitalia Natural Medicine Center uses naturopathic medicine during chemotherapy which can greatly improve the outcomes and reduce the side effects of a considerably harsh treatment. Naturopathic treatment serves as an invaluable support during conventional cancer treatment but is not covered by insurance. This was the reason for Deb Ferraro getting involved to help with a fundraiser.

Patch: What did it mean to you to get that donation?

It was invaluable as this treatment surely saved me from severe side effects when my Chemo protocol was tripled recently. I still have had no nausea and very little hair loss thanks to Vitalia!

Patch: What is next for you?

I will continue to get chemotherapy treatment and be seen at Vitalia until my cancer is in remission, which everyone previously told me would never happen and now that is looking very likely!

Patch: Anything else you want readers to know?

The power of prayer, positive thinking and family support has been life-saving in this journey to date. My family and I have literally witnessed modern day miracles.

More information on?Causes for Community Carlsbad (C3) is available at:?CarlsbadCauses.com

Source: http://carlsbad.patch.com/articles/community-raises-money-for-local-battling-breast-cancer

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StarStruck: Celebrities Join Wine and Spirits Brands In Growing ...

Celebrity endorsement of wine and spirits is not exactly new. Orson Welles famously assured TV viewers back in 1980 that Paul Masson would ?sell no wine before its time.? But the past decade has seen significant shifts both in the frequency of celebrities aligning with wine and spirits brands and in the nature of the endorsement. Some are spokespersons, some are brand owners, some have licensed their names and images. Some appear in ads or at promotional events, radiated online.

In general, celebrity-brand relationships have become more of a two-way street?not to mention one with more lanes. As more celebrities want in to this relatively glamorous world, more wine and spirits marketers appear eager happy to bring them along for the ride.

The Power of Personality (& Credibility)

Few celeb-brand connections have proven as effective as P. Diddy (Sean Combs) and C?roc. Annual sales of the vodka hovered around 120,000 cases when Combs came on board in 2007; now it?s a million-case brand, with much of the success is attributed to the artist himself appearing in TV ads and the well-known entertainer promoting the brand actively via appearances, both formal and informal.

P. Diddy?s success came with a young brand. Stars can bring juice to established ones as well. Tanqueray Gin partnered with actor and DJ Idris Elba in 2011 for ?Tonight We Tanqueray,? a platform that included events, videos, a downloadable song and even new drink recipes. ?We were looking for partners who could bring to life the style and sophistication of Tanqueray,? says Brand Director Matt Pechman for Tanqueray. ?Idris was a perfect match.?

Before launching a celebrity brand or partnering with a celebrity there are a few considerations, says Dave Karraker, director of public relations for Campari America. ?First we look at the celebrities themselves?who is their demographic and does that demographic match a hole in our portfolio that we have to fill?? he says. Just as important: ?The person has to have credibility to be associated with that spirit.?

Campari recently showcased Oscar-winning actress Penelope Cruz in an evocative 2013 calendar. Entitled ?Kiss Superstition Goodbye,? the calendar shows Cruz indulging in superstitious acts?breaking mirrors, walking under ladders, opening umbrellas indoors, etc.?all while looking fabulous in Campari-red outfits and holding Campari-based cocktails. The calendar project, shot in Milan this year by fashion photographer Kristian Schuller, has been done annually by Campari for more than a decade.

And, naturally, celebrity power is increasingly being tapped for new product launches. One recent example is LeSutra. Grammy-winning producer Timbaland is an owner of the line of sparkling liqueurs, and his high-profile support is intended to draw some of the attention going to rival brand Nuvo, whose rapper-backers include T-Pain, Jeremih, Wale, Pusha T and Lloyd Banks.

In a blend of established brand and new product, Usher was a partner for the launch of Belvedere RED in 2011. Similarly, R&B crooner Ne-Yo helped launch Malibu Red?a fusion of rum and tequila; the collaboration included a custom song and video, supported by social media.

Tapping the Fan Base

Celebrity endorsements can be as much about targeting a specific fan base as they are about publicizing the liquid in the bottle. Star power may be just the right thing to draw attention to both a category and a brand. For instance, when Bacardi launched the Bacardi Light ready-to-serve cocktails, they collaborated with actress Busy Philipps, aiming to attract her vibrant and loyal female following. And Jim Beam Bourbon tapped into the passionate fan base of live music by sponsoring a series of six concerts in 2012 (Kid Rock, Daughtry, David Gray, Darius Rucker, Bush and Train). In addition, Beam collaborated with Kid Rock on several projects, raising funds for Operation Homefront, which provides support for families of American troops.

TY KU Sak? has taken aim at multiple audiences, enlisting diverse support from Bravo?s ?Millioinaire Matchmaker,? Patti Stanger; Intenet gossipmonger Perez Hilton; and well-known singer and The Voice judge CeeLo Green. ?The perception of sak? is that you can only drink it in certain locations or specific ways,? says brand co-owner CeeLo. ?It?s my mission to show how sak? is a progressive cocktail for the modern trendsetter. It?s versatile, low calorie, all natural, accessible and will make you stand out at a party.?

Vodka as a category needs no introduction to Americans, but in aiming to increase their share of the low-calorie segment of the the vodka pie, marketers of Voli brought both Fergie and Pitbull on board. Erin Harris, EVP of marketing and public relations for Voli Spirits, notes that Fergie and Pitbull each bring something different to the table: ?Fergie?who stays fit and owns the social scene?knows how to balance all aspects of life and represents the Voli brand perfectly,? says Harris. ?Pitbull, with his charisma and musical sense, is a force within the Latin market and has a large female demographic.?

Perhaps a taste of more to come, ad campaigns featuring multiple celebs have picked up just within the past year. Hennessy?s ?Wild Rabbit? campaign features Martin Scorsese, Erykah Badu and Manny Pacquiao. Each person?s ?wild rabbit? is what inspires them, keeps them motivated and drives them. The campaign consists of print ads, billboards, installations, QR codes and Web marketing. Johnnie Walker?s ?My Label is Black? is both an ad campaign and outreach program designed to celebrate the Hispanic community and inspire men to achieve their true potential. The ads feature Don Omar, Jorge Posada and Alex Sensation; events and charitable partnerships are set in key markets such as New York, Miami and Los Angeles.

No Cookie-Cutter Molds

To put the recent explosion of celebrity wine/spirits endorsement in perspective, it is important to realize that there are no standard formulas for how the star-brand relationship will be defined or promoted. The degree of involvement can range from select promotional appearances?such as Kim Kardashian hosting a Halloween party for Midori?to full-blown ownership. Some bottles are designed by the stars themselves; others don?t even mention them. But if there is one commonality, it?s that marketers are taking cues from what made the stars stars when considering how best generate publicity.

Musician Dave Matthews has (quite quietly) owned Blenheim Vineyards in Virginia since 2000 and recently worked with Constellation Brands to create The Dreaming Tree wines with winemaker Steve Reeder. ?As part of our 2011 launch strategy, we targeted loyal fans of Dave Matthews, who include consumers ranging from 30-50 years old,? says Sarah Pearson, marketing manager for the brand. ?We felt this grassroots approach was in line with how Dave Matthews rose to popularity and was a great way to honor the fans. After serving his fans first, the wines were made available everywhere.?

One recent collaboration to watch is Enrique Iglesias with Atlantico Rum. Aleco Azqueta, who launched the line in 2008 with partner Brandon Lieb, explains that the new business relationship was entirely organic: Enrique loved the rum before he even met the founders. Azqueta notes, ?A lot of brands developed for a celebrity are gimmicky. This one started with a product that had already won awards and gained respect.? The partnership works, he says, because of its authenticity: ?Atlantico is a lifestyle brand that celebrates Carribean sophistication?and that?s his brand, too.? The Spanish singer-songwriter has given the brand mass exposure through placement in his videos and live concerts.

Passion Plays

The example of Enrique Iglesias and Atlantico highlights the reality that the more hands-on a star is, the more leverage a brand gains in the market. Actor Dan Aykroyd has teamed up with winegrowers in his native Canada to create a line of varietal Niagara wines, but here in the U.S. he invests time and sweat into Crystal Head Vodka, a brand he launched in 2008. ?He is involved in every major decision and also a number of smaller decisions, whether it is production, sales or marketing,? says Kristina Arnold, marketing manager for Crystal Head.

Hands-on tequila-making success stories include rocker Sammy Hagar (Cabo Wabo) and singer-actor Justin Timberlake (901); and country music?s Toby Keith, who created Wild Shot Mezcal. To create 901 (the brand name is based on the Memphis telephone area code), Timberlake and co-owner Kevin Ruder scouted distilleries in Mexico and helped develop the flavor profile. Carlos Santana is now a brand owner of Casa Noble Tequila, and his album covers are featured in packaging. Tequila has also served as insipiration for some high-profile advertising, notably Lollapalooza founder Perry Farrell for Dobel and The Sopranos? Michael Imperioli for 1800. The newest Hollywood kid on the agave block is actor George Clooney, who developed Casamigos Tequila with nightclub maven Rande Gerber (husband of Cindy Crawford).

Hollywood & Vine

On the wine side, Francis Ford Coppola set the gold standard of passion-turned-product. Some might even argue that his wine renown rivals his film legacy. Coppola has plenty of star-powered company when it comes to the fruit of the vine. Down in Santa Barbara, Fess Parker in 1987 established a successful family-run winery more than a decade after starring on TV as Davy Crockett and Daniel Boone. The Smothers Brothers make serious reds at Remick Ridge in Sonoma Valley. Actor Danny Glover is also a grower in Sonoma. TV star Adrian Grenier and film producer Peter Glatzer help blend their Paso Robles red, SHFT, marketed by Domaine Select.

Actor Sam Neill owns Two Paddocks estate winery in Central Otago, New Zealand. Italy?s Bocelli family, known worldwide for the opera success of tenor Andrea, has actually been making wine in Tuscany for more than a century; their wines just recently debuted in the U.S. Italy was also the origin for an eponymous line of wines by Oscar-nominated actress Lorraine Bracco. And Ben Flajnik, perhaps better known as The Bachelor, turned the celebrity-wine formula inside-out?he and two partners created Envolve in Sonoma before he became a reality TV heart-throb.

So many celebrities have gotten into the wine/spirits act that it has become hard to? keep track. M?tley Cr?e frontman Vince Neil has produced wine (Vince Vineyards) as well as Tatuado Tequila and Vodka. Other bands/musicians going the wine route include Mick Fleetwood, Kiss, Bob Dylan (Planet Waves), Simply Red?s Mick Hucknall (Il Cantante), Lil Jon (Little Jonathan), Tool?s Maynard James Keenan (Caduceus), Train (Save Me, San Francisco), even Elvis Presley and Jerry Garcia.

Celebrity fashion icons are tossing their hats into the wine or spirits ring, too. And why not? Great-looking bottles will never go out of style. Jean-Paul Gaultier designed a ?corset? bottle for Piper-Heidsieck. Gianfranco Ferr? dressed up Frescobaldi Brunello for the Millennium. Christian Audigier licensed his tattoo-esque Ed Hardy brand for a line of wine. Roberto Cavalli now has his own vodka. And John Varvatos designed a special bottle stopper for Patr?n Tequila.

Of course, no roundup of celebrity wine would be complete without mention of Marilyn Monroe, whose iconic beauty and fortuitous adopted surname posthumouosly made Marilyn Merlot a fan-driven collectible. Will there ever be another? Probably not. But Hollywood stars now seem more inclined than ever to test their wine chops. Witness Drew Barrymore and Fergie. Both are acutely cognizant that their names needed to be part of the package, literally. The red blend from Ferguson Crest is called ?Fergalicious.? And Drew?s first wine, a Pinot Grigio from northern Italy, features the Barrymore family crest on the label.

Real House-Wines?

real Housewives of New Yorkstar Bethenny Frankel struck gold with her Skinnygirl ready-to-serve cocktails. She sold to Beam Global in 2010 and the brand has since expanded way beyond the original low-cal margarita. Now, branded wines/spirits seem practically contagious among the TV housewives.

In the case of Frankel?s RHONY costar Ramona Singer, her relationship with a type of wine preceded her connection to a brand. The transition was quite natural, explains Claudia Cogan, brand manager at Opici Wine Company. ?Ramona Singer became synonymous with Pinot Grigio, regularly seen sipping it on the show,? says Cogan. ?Fans would approach her asking if she preferred a specific one, but she never really had an answer. She saw this opportunity and seized it, coming to Opici with a proposal.?

Over in New Jersey, Teresa Guidice launched Fabellini, a pre-mixed Bellini in two flavors; and Kathy Wakile launched Red Velvet Cosmo, a pre-mixed cosmopolitan based on the flavors in red velvet cake. Down in Atlanta, three Real Housewives have gone mad for Moscato: NeNe Leakes (Miss Moscato), Cynthia Bailey (P.T. Ros? Moscato) and Kim Zolciak (Viva Diva Moscato). In LA, Vicki Gunvalson and Tamra Barney went a different route, starting a wine club, ?Wines by Wives.?

Will these housewives put up numbers approaching Skinnygirl? Maybe not, but they can be solid sellers. With a Pinot Grigio released in 2011 and red blend in 2012, Ramona has become a 15,000- case brand, distributed nationally.

Selling Star Power

So, now that the wine and spirits industry is getting accustomed to the idea of celebrity endorsement in multiple categories, the question becomes how best to translate star power into sales. Here are some points to keep in mind:

Know what?s what even if you don?t know who?s who. Celebrity culture is powerful but not universal. Different generations, different ethnicities and different interests determine which ?stars? sparkle for different individuals. While it makes little sense to stock every available celebri-brand, it is imperative that when you do, the whole staff should be aware of the relevant connection (because it?s not always on the bottle).

Signage can help move product. Some marketers are ready and able to support celebrity-linked brands with POS material (ask your distributor). If not, especially in cases where the star behind the liquid is not apparent, you can and should create your own signage. It may help spur impulse sales among shoppers who are fans of certain stars/genres but were unaware of the links.

Eye candy is still important. Some bottles act like stars in their own right. For example, bottles of Patr?n Tequila featuring the guitar head bottle stopper designed by menswear mogul John Varvatos are just screaming to be displayed. Catchy bottles in a front window can grab the eye of folks who may not necessarily want that wine or spirit, but will be enticed inside by the display.

Source: http://www.beveragemedia.com/index.php/2013/01/starstruck-celebrities-join-wine-and-spirits-brands-in-growing-numbers-and-unusual-ways/

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Climate change could cause massive losses in Pyrenees ski resorts

Climate change could cause massive losses in Pyrenees ski resorts [ Back to EurekAlert! ] Public release date: 23-Jan-2013
[ | E-mail | Share Share ]

Contact: SINC
info@agenciasinc.es
34-914-251-820
FECYT - Spanish Foundation for Science and Technology

An increase in temperatures due to climate change could mean that the Andorran ski resorts have a shorter season in the future, especially in lower areas. A study undertaken by the Polytechnic University of Catalonia and the Andorran Sustainability Observatory has analysed the specific case of the Pyrenean country and predicted that financial losses could come close to 50 million euros.

SINC. 22 de enero de 2013

One of the major challenges when studying climate change effects is to establish the relationship between physical impacts and environmental changes on the one hand, and between these factors and impact on humans on the other hand.

An international study enjoying the participation of the Polytechnic University of Catalonia has investigated the particular case of Andorra and has demonstrated a predicted increase in temperatures as a result of climate change will shorten the ski season in the resorts of the principality.

Furthermore, depending on the predicted climate change scene, a fall in income has been predicted along with lesser adaptation capacity provided by snow production machines.

Published in the 'Climate Research' journal, the study estimates a reduction in the number of skiers, especially in lower altitude resorts.

The mountain regions are considered especially vulnerable to the effects of climate change. "The rapid decrease in glacier mass, quantity and frequency changes of snowfall, level variations and biodiversity distribution are examples of how mountain ecosystems are highly sensitive," as explained to SINC by Marc Pons from the Sustainability Measuring and Modelling Laboratory of the Polytechnic University of Catalonia and the Andorran Sustainability Observatory and coauthor of the study.

Andorra is a small country in the middle of the Pyrenees between France and Spain with a population of approximately 80,000 inhabitants. It receives 10 million tourists each year according to data from Andorra Turisme 2010, especially during the winter season. Snow tourism is one of its main sources of income used for local development.

The study analysed three ski resorts in the principality: Grand Valira, Pal-Arinsal and Arcals. And it is based on three possible scenarios as a consequence of climate change: the current situation and two possible future conditions.

Out of the last two, the first considers an increase of 2 C in the average winter temperature whereas the second is based on an increase of 4 C.

"We have employed these temperature increase figures based on two of the scenarios from the SRES report of the Intergovernmental Panel on Climate Change (IPCC), which are predicted as plausible for the Pyrenees at the end of the 21st century," states Pons.

The estimations have allowed them to analyse possible consequences, such as reduction of the ski season over time, the subsequent decrease in the number of skiers and thus what they would spend when visiting the region.

The importance of attitude

In the study, the altitude of skiable terrain is "one of the most determining factors in the vulnerability of the resorts," adds Pons. An assessment was made of the future snow cover of each one of the tourist resorts at various altitudes: 1500 metres, 2000 metres and 2500 metres.

Pons adds that studying different altitudes "is important to analyse the capacity of the resorts to compensate for climatic variability by using artificial snow production." He outlines that in recent decades, "resorts have invested significant amounts of money in artificial snow production."

In the case of Andorra, around 50% of the ski zones are covered by such snow production systems.

In addition, the researcher explains that there are "a great variety within the same region, which means that two resort groups now arise: those that are more vulnerable and those that are resilient, like Arcals."

More specifically, if the temperature were to increase by 2 C in winter, only the lowest areas of Pal-Arinsal would be affected and the ski season would be shortened by 30%. This would mean a reduction in the number of skiers and investment in the region would be very small.

In contrast, in the case of a 4 C increase, the three tourist resorts would suffer from serious reductions in their lower altitude areas, where even the snow production machines could not even help to save the ski season. Nonetheless, the higher areas would remain stable throughout the season.

Delicate Pal-Arinsal and privileged Arcals

The most critical of situations would be that of Pal-Arinsal, which could not even continue even with snow production machines. On the other hand, Grand-Valira and Arcals would carry on, although with a shorter ski period.

In this context, a 15% decrease would be recorded in visitors with losses of approximately 50 million euros each season. In this case the resorts receiving the most visitors (Pal Arinsal and Grand Valira) would be affected both at the very beginning and at the end of the season.

Nonetheless, "aside from the figures themselves, the most important factor is the capacity to relate to physical changes," adds Pons.

The researcher points out that despite the influence of altitude, "there are other determining factors, such as orography and orientation, which have a strong influence and therefore should be considered in future studies."

This type of study helps governments to acquire deep and detailed knowledge on areas or resorts that are more vulnerable to the effects of climate change, the range of possible impacts and what adaptation measures are more suitable for each specific area."

###

Referencia bibliogrfica:

Marc Pons-Pons, Peter A. Johnson, Mart Rosas-Casals, Brbara Sureda, ric Jover. "Modeling climate change effects on winter ski tourism in Andorra". Climate Research.



[ Back to EurekAlert! ] [ | E-mail | Share Share ]

?


AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.


Climate change could cause massive losses in Pyrenees ski resorts [ Back to EurekAlert! ] Public release date: 23-Jan-2013
[ | E-mail | Share Share ]

Contact: SINC
info@agenciasinc.es
34-914-251-820
FECYT - Spanish Foundation for Science and Technology

An increase in temperatures due to climate change could mean that the Andorran ski resorts have a shorter season in the future, especially in lower areas. A study undertaken by the Polytechnic University of Catalonia and the Andorran Sustainability Observatory has analysed the specific case of the Pyrenean country and predicted that financial losses could come close to 50 million euros.

SINC. 22 de enero de 2013

One of the major challenges when studying climate change effects is to establish the relationship between physical impacts and environmental changes on the one hand, and between these factors and impact on humans on the other hand.

An international study enjoying the participation of the Polytechnic University of Catalonia has investigated the particular case of Andorra and has demonstrated a predicted increase in temperatures as a result of climate change will shorten the ski season in the resorts of the principality.

Furthermore, depending on the predicted climate change scene, a fall in income has been predicted along with lesser adaptation capacity provided by snow production machines.

Published in the 'Climate Research' journal, the study estimates a reduction in the number of skiers, especially in lower altitude resorts.

The mountain regions are considered especially vulnerable to the effects of climate change. "The rapid decrease in glacier mass, quantity and frequency changes of snowfall, level variations and biodiversity distribution are examples of how mountain ecosystems are highly sensitive," as explained to SINC by Marc Pons from the Sustainability Measuring and Modelling Laboratory of the Polytechnic University of Catalonia and the Andorran Sustainability Observatory and coauthor of the study.

Andorra is a small country in the middle of the Pyrenees between France and Spain with a population of approximately 80,000 inhabitants. It receives 10 million tourists each year according to data from Andorra Turisme 2010, especially during the winter season. Snow tourism is one of its main sources of income used for local development.

The study analysed three ski resorts in the principality: Grand Valira, Pal-Arinsal and Arcals. And it is based on three possible scenarios as a consequence of climate change: the current situation and two possible future conditions.

Out of the last two, the first considers an increase of 2 C in the average winter temperature whereas the second is based on an increase of 4 C.

"We have employed these temperature increase figures based on two of the scenarios from the SRES report of the Intergovernmental Panel on Climate Change (IPCC), which are predicted as plausible for the Pyrenees at the end of the 21st century," states Pons.

The estimations have allowed them to analyse possible consequences, such as reduction of the ski season over time, the subsequent decrease in the number of skiers and thus what they would spend when visiting the region.

The importance of attitude

In the study, the altitude of skiable terrain is "one of the most determining factors in the vulnerability of the resorts," adds Pons. An assessment was made of the future snow cover of each one of the tourist resorts at various altitudes: 1500 metres, 2000 metres and 2500 metres.

Pons adds that studying different altitudes "is important to analyse the capacity of the resorts to compensate for climatic variability by using artificial snow production." He outlines that in recent decades, "resorts have invested significant amounts of money in artificial snow production."

In the case of Andorra, around 50% of the ski zones are covered by such snow production systems.

In addition, the researcher explains that there are "a great variety within the same region, which means that two resort groups now arise: those that are more vulnerable and those that are resilient, like Arcals."

More specifically, if the temperature were to increase by 2 C in winter, only the lowest areas of Pal-Arinsal would be affected and the ski season would be shortened by 30%. This would mean a reduction in the number of skiers and investment in the region would be very small.

In contrast, in the case of a 4 C increase, the three tourist resorts would suffer from serious reductions in their lower altitude areas, where even the snow production machines could not even help to save the ski season. Nonetheless, the higher areas would remain stable throughout the season.

Delicate Pal-Arinsal and privileged Arcals

The most critical of situations would be that of Pal-Arinsal, which could not even continue even with snow production machines. On the other hand, Grand-Valira and Arcals would carry on, although with a shorter ski period.

In this context, a 15% decrease would be recorded in visitors with losses of approximately 50 million euros each season. In this case the resorts receiving the most visitors (Pal Arinsal and Grand Valira) would be affected both at the very beginning and at the end of the season.

Nonetheless, "aside from the figures themselves, the most important factor is the capacity to relate to physical changes," adds Pons.

The researcher points out that despite the influence of altitude, "there are other determining factors, such as orography and orientation, which have a strong influence and therefore should be considered in future studies."

This type of study helps governments to acquire deep and detailed knowledge on areas or resorts that are more vulnerable to the effects of climate change, the range of possible impacts and what adaptation measures are more suitable for each specific area."

###

Referencia bibliogrfica:

Marc Pons-Pons, Peter A. Johnson, Mart Rosas-Casals, Brbara Sureda, ric Jover. "Modeling climate change effects on winter ski tourism in Andorra". Climate Research.



[ Back to EurekAlert! ] [ | E-mail | Share Share ]

?


AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.


Source: http://www.eurekalert.org/pub_releases/2013-01/f-sf-ccc012313.php

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Tuesday, January 22, 2013

Remains of the Day: File Sharing Service Mega Is Here

Remains of the Day: File Sharing Service Mega Is HereAll systems are go for MegaUpload's successor, CyanogenMod releases new test builds, and Windows Phone users may have trouble syncing their Gmail accounts.

  • Hands On With Kim Dotcom's New Mega: This Service Could Dismantle Copyright Forever Mega, the file-sharing successor to MegaUpload, launched this weekend. The new service's privacy policy is structured around encrypting individual user data locally before uploading?so Mega never actually does any decryption, and can't tell what you're uploading. If you decide to give it a whirl, you should know that it's currently performing slowly due to high traffic. [Gizmodo]
  • CM-10.1 M-Series Builds Have Arrived Today the CyanogenMod 10.1 "M build" release candidates went live for most current Samsung Galaxy and Nexus phones. The build is based on Jelly Bean MR1, and you can download the appropriate version on CyanogenMod's site. [Cyanogenmod]
  • Google Makes Microsoft Sweat Over Sync cutoff, but Windows Phone will get DAV support Last month, Google announced that it would no longer support Microsoft's Exchange ActiveSync protocol, leaving Windows Phone users unable to sync Gmail calendar, contact, and mail data with their mobile devices. This would render Gmail's contact and calendar syncing useless on Windows Phone 8 when ActiveSync support goes offline January 30th. However, it is being reported that Microsoft has plans to bring CalDAV an CardDAV support to its mobile OS, which is now Google's preferred sync protocol. If Google refuses a request to extend ActiveSync support, it's possible that Windows Phone users will only be able to sync email via IMAP and unable to sync calendars or contacts until the DAV support update arrives at an unannounced date. [The Verge]

Photo by photastic (Shutterstock), a2bb5s (Shutterstock), and Feng Yu (Shutterstock).

Source: http://feeds.gawker.com/~r/lifehacker/full/~3/Yv6kh3E9vtA/remains-of-the-day-mega-file-sharing-service-is-here

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TEXT-S&P summary: Falcon Insurance Co. (Hong Kong) Ltd.

(The following statement was released by the rating agency)

Jan 22 -

===============================================================================

Summary analysis -- Falcon Insurance Co. (Hong Kong) Ltd. --------- 22-Jan-2013

===============================================================================

CREDIT RATING: None. Please see issue list. Country: Hong Kong

Primary SIC: Fire, marine, and

casualty

insurance

===============================================================================

Financial Strength Rating History:

29-Apr-2002 A-

===============================================================================

Rationale

The rating on Falcon Insurance Co. (Hong Kong) Ltd. (Falcon HK) reflects

explicit support provided in the form of a guarantee by Odyssey Reinsurance

Co. (Odyssey Re; local currency A-/Positive/--), a subsidiary of Falcon HK's

ultimate parent, Fairfax Financial Holdings Ltd. (BBB-/Positive/--).

Falcon HK's stand-alone credit profile is still weak, even though it has

improved over the past year. The stand-alone credit profile reflects the

company's marginal market position in Hong Kong's general insurance market,

its less favorable capitalization, and high equity investments. Offsetting

factors are the company's satisfactory operating performance, which has

improved over the past year, and its adequate liquidity.

We attribute Falcon HK's significant growth in terms of gross premiums in the

past two years to a revision in strategy. Since 2009, the company has

realigned its strategy to target mainly marine hull, regional property, and

other commercial lines, with help from regional group companies in terms of

knowledge sharing. However, we expect Falcon HK's top-line growth to slow over

the next two years to reflect the company's realigned strategy. Falcon HK

receives significant inward reinsurance business from Singapore-based First

Capital Insurance Ltd. We consider this business to be profitable although it

carries significant risk. Nevertheless, Falcon HK still needs time to prove

that its strategy has been successful in Hong Kong. The company still has a

marginal business position in the competitive Hong Kong general insurance

market. It had a market share of 2% in terms of gross premiums in 2011. Falcon

HK continues to operate its Hong Kong personal and commercial business through

its agency force and broker network.

Falcon HK's product mix changed slightly in line with the new business

strategy. The largest contributor to the gross premiums written was the motor

business (23.9%), while the contribution from the marine business reduced

(23.2%) because the company focused less on unprofitable segments within the

marine lines business. The rest of Falcon HK's portfolio includes employees'

compensation (24%), property damage (12.1%), and others (16.8%) segments.

We expect Falcon HK's underwriting performance to continue to improve over the

next 18 months due to tightened underwriting control in its HK business and

higher premiums in the compulsory liabilities business. The combined ratio

fell to 99.2% in 2011 from 113.7% in 2010. This was primarily due to an

improved loss ratio of 69.9% in 2011 (80.8% in 2010) as a result of the

company's new strategy.

We consider Falcon HK's investment profile as satisfactory, but its equity

investment exposure remains significant. At the end of 2011, 25.9% of its

assets were invested in stocks and mutual funds. The rest included

fixed-income securities (42.2%) and cash (31.8%). Falcon benefits from the

investment expertise of Hamblin Watsa Investment Counsel Ltd., a 100%-owned

subsidiary of Fairfax.

While Falcon HK's capitalization is commensurate with the stand-alone credit

profile, based on our capital model analysis, it is weak reflecting the

company's small size and risky assets exposure. The company's ratio of

shareholders' funds to net premium income is about 108% as of the end of 2011.

Enterprise risk management

Falcon HK's enterprise risk management (ERM) framework is integrated with that

of the wider group. We assess the company's parent, Fairfax, as having

adequate ERM. Our belief that adequate risk controls are in place for the

majority of the group's risks is the primary factor supporting our overall

risk assessment. The recent formalization of the organization's ERM efforts,

combined with partially centralized risk aggregation and control, currently

limits a stronger assessment.

Outlook

The positive outlook reflects the outlook on Odyssey Re based on explicit

support in the form of a guarantee. We will upgrade Falcon HK if we raise the

rating on Fairfax's guaranteeing entity. Conversely, we will revise the

outlook on Falcon HK to stable if we revise the outlook of the guarantor to

stable.

Source: http://news.yahoo.com/text-p-summary-falcon-insurance-co-hong-kong-094911501--sector.html

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